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3个关于法国印象派画家的英文问题


答案如下，不过未必是你上课听到的内容，其实 ， 如果你上课没听懂，为什么不下课和老师谈谈呢？他了解了你的情况会想出适当的办法来帮助你的 。
另外，最后一个问题问的有些匪夷所思，如果是问五位最重要的印象派画家和他们的代表作，倒是合情合理，但如果问绘画的type ， 就很奇怪，因为美术史上没有专门的术语来定义印象派每个画家的type，那样你就只能用长句描述，会是长篇大论的一番话，而题目的出法显然要的不是长篇大论，而是：画家某某某，以某某风格绘画著称 。建议你还是在当地找你的同学商量一下吧 ， 看他们怎么想 。
1,The idea behind the contemporary/modern art movement of Impressionism was that the artist would convey, through their art work, an effect of communicating to the viewer in a manner that would make the viewer see an object in the way that someone would see that object if they were to glance at it.
2 ，
①Short, thick strokes of paint are used to quickly capture the essence of the subject, rather than its details. The paint is often applied impasto.
②Colours are applied side-by-side with as little mixing as possible, creating a vibrant surface. The optical mixing of colours occurs in the eye of the viewer.
③Grays and dark tones are produced by mixing complementary colours. In pure Impressionism the use of black paint is avoided.
④Wet paint is placed into wet paint without waiting for successive applications to dry, producing softer edges and an intermingling of colour.
⑤Painting in the evening to get effets de soir - the shadowy effects of the light in the evening or twilight.
⑥Impressionist paintings do not exploit the transparency of thin paint films (glazes) which earlier artists built up carefully to produce effects. The surface of an Impressionist painting is typically opaque.
（7）The play of natural light is emphasized. Close attention is paid to the reflection of colours from object to object.
（8）In paintings made en plein air (outdoors), shadows are boldly painted with the blue of the sky as it is reflected onto surfaces, giving a sense of freshness and openness that was not captured in painting previously. (Blue shadows on snow inspired the technique.)
3 。The central figures in the development of Impressionism in France, listed alphabetically, were:
Mary Cassatt (American-born, she lived in Paris and participated in four Impressionist exhibitions), (1844-1926)
Edgar Degas (a realist who despised the term Impressionist, but is considered one, due to his loyalty to the group), (1834-1917)
?douard Manet (who did not regard himself as an Impressionist, but is generally considered one), (1832-1883)
Claude Monet (the most prolific of the Impressionists and the one who most clearly embodies their aesthetic), [17] (1840-1926)
Camille Pissarro, (1830-1903)
Pierre-Auguste Renoir, (1841-1919)
Alfred Sisley, (1839-1899)
第二个问题要列10项 ， 但作为专业学美术的我来说，也想不出更多有意义的了 。
绘画主义摄影 翻译成英文是什么？The sunrise"Sunrise,impression"as an ocean, the whole picture drawn in thin gray, brush painting very optional, messy, shows a picture of the fog.Sunrise, sea fog, and by red, blue, violet and grey color such as orange tonal, consisting of a vibrant red dragged a wisp of sea water, orange slowly. Sea and sky, in a relaxed tone of scenery, crisscross penetration, one integrated mass. The three boats in offshore mist blurred gradually in architecture, port, shipping, mast cranes, etc. In light of hazy looms. Brush and unrestrained changes of color image processing, make whole peace and vigor.The painting is an impressionism staple, it marks the impressionist paintings. Quickly become a popular and influential international school. It stresses of natural light and color, light and color change as the mainstream of painting. Monet was considered by the first light of impressionist paintings techniques.
中文翻译：
《日出.印象》作为一幅海景写生画, 整个画面笼罩在稀薄的灰色调中, 笔触画得非常随意、零乱，展示了一种雾气交融的景象 。日出时, 海上雾气迷朦, 在由淡紫、微红、蓝灰和橙黄等色组成的色调中，一轮生机勃勃的红日拖着海水中一缕橙**的波光，冉冉生起 。海水、天空、景物在轻松的笔调中，交错渗透 ， 浑然一体 。近海中的三只小船，在薄雾中渐渐变得模糊不清，远处的建筑、港口、吊车、船舶、桅杆等也都在晨曦中朦胧隐现 。奔放的笔触和冷暖色彩的处理 ， 使整个画面充满宁静与朝气 。该画是印象主义绘画的开山之作, 它标志着印象派绘画的产生．迅速成为一个风靡全球, 影响深远的世界性画派．它强调自然界的光和色, 把光与色的变化作为绘画的主流．莫奈被认为是第一个采用外光技法进行绘画的印象派大师 。
绘画主义摄影
Photography of Paintism
印象派摄影
Impressionist Photography
写实摄影
Realistic Photography
超现实主义摄影
Surrealism Photography
达达主义摄影
Dada Photography
【3个关于法国印象派画家的英文问题】:)

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